The spectrogram for the Bach passage is shown below. This spectrogram confirms that the Bach passage does not exactly produce a consistently rising pitch, but interweaves a descending pitch, the overall effect is like ascending a spiral upwards in pitch. (It is interesting to note that Shepard proposed a double helix representation of pitch perception: perhaps Bach is showing us how to ascend one spiral of this double helix!)

Here is a portion of the first seven measures of the score of this piano arrangement. We show in the three red trapezoids that there is a partial exhibition of the Shepard tone arrangement in the first three bars, and a similar sequence can be discerned in the following four bars.

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