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Faculty and Staff

Ryan P. Jones

Dr. Ryan P. Jones

Assistant Professor of Music

Ph.D., Brandeis University
M.F.A., Brandeis University
B.A., University of Richmond

Academic Areas: music history, music theory, jazz history.

Dr. Ryan P. Jones
123 Haas Fine Arts Center
Music & Theatre Arts Department
University of Wisconsin-Eau Claire
Eau Claire, WI 54702-4004

Phone: 715/836-4947
Email: jonesrp@uwec.edu

Ryan Jones is assistant professor of music in the Department of Music and Theatre Arts at UW-Eau Claire where he teaches courses in music history and theory. He received a B.A. in English from the University of Richmond and holds both a Ph.D. and an M.F.A. in Musicology from Brandeis University. Before joining the UW-Eau Claire faculty, Dr. Jones taught at Brandeis, the Walnut Hill School, and Gettysburg College.

Dr. Jones's areas of musicological interest range from symphonic and operatic histories to American art music, jazz, and rock. His dissertation presented the first extensive study of Aaron Copland's only full-length opera, The Tender Land (1954), outlining the potential the composer's final populist work holds both for understanding his aesthetic values and locating their place within American music history. His research has also investigated issues of authenticity in George Gershwin's Porgy and Bess, traced the educational arc of Julian "Cannonball" Adderley's early training and career in music (Current Musicology), and examined the challenges of Stan Kenton's early Artistry in Rhythm Orchestra as its leader eschewed dance music from the receding swing era to embrace concert presentations of jazz (Jazz Research Journal). He is author of the Instructor's Manual for Jazz: Essential Listening (W.W. Norton) by Scott DeVeaux and Gary Giddins, co-author of the forthcoming Historical Dictionary of Rock and Pop (Scarecrow Press), and a contributor to the second edition of the Grove Dictionary of American Music.

Additional projects concern the life and music of singer Jo Stafford, social activism in the music of Stevie Wonder, formative stylistic influences upon The Police, and the inventive approaches of Sun Ra. Dr. Jones has shared his work at meetings of the American Musicological Society, the Annual Leeds International Jazz Conference, the Centro Studi Opera Omnia Luigi Boccherini, the Mid-Atlantic Writing Centers Association, Northeastern University, and Brandeis University.

Courses:

  • MUSI 405 Music History Seminar
  • MUSI 338 Jazz History and Analysis
  • MUSI 303 Music History 1900 to Present
  • MUSI 229 Music History 1600 to 1900
  • MUSI 227 Music History to 1600
  • MUSI 146 Music Theory-Inter. Written
  • MUSI 141 Music Theory-Elem. Written
  • MUSI 114 Evolution of Jazz
  • MUSI 112 History of Rock and Pop
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